Guest blog: Sexism, tshirts and rock and roll – is heavy music sexist?

Hi, I’m Dave. For as long as I can remember, I’ve been a huge fan of rock and metal music. I was making mixtapes of Metallica, Nirvana and Aerosmith when I was in primary school, have been going to see bands playing live since I was ten and currently play guitar in Birmingham band The Crimson Star.

As you’d probably expect from a guest author on this blog, I’m also a feminist, and I want to look at sexism in the music industry – specifically rock and metal music.

Looking at more mainstream genres, particularly pop and hip hop, you hardly have to break a sweat to find examples of sexist attitudes and the objectification of women as a means to sell records and, in many cases, gloss over a lack of talent – Robin Thicke and Miley Cyrus spring to mind here. Even strong women in pop like Beyonce, who is an idol to other women and girls across the globe, forsakes doing much singing when she plays live in favour of prancing and writhing around in her underwear. Surely I wasn’t the only one who found those ‘legendary’ sets at Glastonbury and the Super Bowl in recent years to be really cringeworthy?

Anyway, I’m getting away from myself…as a fan of rock and metal, I’d never previously considered either genre to be sexist, especially when compared to those I’ve previously mentioned. One of the things I love about heavy music is the community of fans behind it, who bond over the music regardless of who is playing it and who is listening to it.

However, since becoming more aware of issues facing women in the modern world and supporting excellent campaigns such as the Everyday Sexism Project and No More Page 3, I’ve found myself thinking more often about women in my favourite type of music. The more I thought about it, the more I became convinced there was something worth delving into further.

I reached the tipping point, all thanks to some tshirts – these tshirts produced by metalcore bands Emmure, Attila and I Declare War to be precise.

Attila-classy-shirt Emmure-offensive-tshirt I_Declare_War_tshirt

These are real pieces of band merchandise.

No, really.

Now, I’m by no means a prude and am not averse to the odd swear. I’m also not stupid; I know shock tactics always have been and always will be an effective form of marketing.

But, these shirts are so much more than some bad language on cloth – in fact, the swearing is almost a non-issue. Look instead at what these shirts are saying. They are hideously offensive, grossly immature and suggest that the heavy music scene holds an attitude towards women that, as an increasingly passionate feminist, I simply could not allow myself to be associated with.

Thankfully, this attitude is not something I have encountered in my experience of my musical scene of choice, but it reinvigorated my earlier musing and got my thinking…is heavy music sexist? Have I been kidding myself for all these years? Has the fact that I am a man pulled the wool over my eyes?

A quick look back at some of the megastars of this genre and the answer would be ‘yes’; whether it’s Led Zeppelin’s Robert Plant commenting on how he will make a woman ‘sting’ because of the way she shakes ‘that thing’, the original artwork for Guns N Roses’ seminal debut album (which, if you weren’t aware, shows a brutally raped woman) or anything produced by Motley Crue.

While all of the above is important, an analysis of sexism and misogyny in classic rock is probably best left for another post on another day. But what of the current scene? How are things for women in rock and metal today?

The world of rock and metal is still largely a club for boys and, while the genre is still peppered with imagery and themes that objectify women, heavy music also suffers from a different form of sexism; the fact that women members of rock and metal bands are still often seen as remarkable and that if any women shows herself to have a shred of musical talent then it is hailed as especially unusual.

Instead of having their talent celebrated, successful women rockstars are still rare enough that many people only seem to be able to give them praise in the form of photo galleries of ‘the hottest chicks in rock and metal’ or similar, held up as something so unusual that they have to gawped at, when, shocking as it may be to read, they are actually just as talented as their male muso counterparts.

That, or if a woman handles the vocals then her band will get lumped into the dreaded ‘female- fronted’ genre, which is one of the most pointless I’ve ever heard of and one that reduces the woman to a mere adjective and nothing more. You never hear, say, Lamb of God being called a male-fronted metal band, but that often changes when you talk about Arch Enemy, despite the fact that, sonically, these two bands are certainly from a similar neighbourhood.

Then, you have the morons who constantly make you wonder if the Internet and social media are such a good thing after all.

Thanks to the sterling work of campaigns like the Everyday Sexism Project and No More Page 3, it is clear that the social web has opened up something of a floodgate for nasty sexism, and the disgraceful people (well, let’s be honest, men) who persist with this behaviour will target anyone. Respected academics? Check. Newsreaders? Check. Some of the greatest athletes we’ve ever seen Check. Women in bands? You bet.

Most bands making a name for themselves these days were born and developed online; it’s never been easier to connect with a band and break down the gap between fan and band member. Sadly, but unsurprisingly, this does mean that women in the music industry are being exposed to the idiots. If you don’t believe me, check this excellent/disturbing post by Lauren Mayberry from the band Chvrches. Or this one from Candy Hearts frontwoman Mariel Loveland.

Not very nice, are they? I know Chvrches are not a rock or metal band but that post was still worth sharing (and I don’t have the energy to get into a genre war right now) – no band member should be reduced to tears just by reading the inbox of their Facebook page.

I have no issues with people voicing their disliking of a band. I used to review bands for a national magazine and was proud to always write what I really thought. I really hated an awful lot of bands about whom I ended up having to scrabble together three paragraphs of copy. Whether it was poor production, out of key vocals, sloppy drumming or just plain old shitty songwriting, I didn’t hold back.

But…sexist idiots out there take note…these comments are all based on the band and their sound i.e. THE MUSIC. If I reviewed a band with a/many women amongst its number, did my reviews suddenly start commenting on the attractiveness of the band members, did I make an assumption that the women in the band were a gimmick to sell more records or did I suggest that sexual assault would be a suitable punishment for being a crap guitarist? No, of course not.

To be honest, the two should never even come anywhere near each other. What’s wrong with judging a band on its product, i.e. the music it makes? I’ve heard lots of great bands, I’ve heard lots of awful bands…why should the various gonosomes of the musicians make any difference?

While the articles I’ve linked to earlier make for sad reading, they also highlights the importance of speaking up. After all, social media and the internet haven’t just made it easier for fans to connect with/abuse bands, it’s also far easier for bands and individuals to fight back, which is something we all need to do to kick sexism out of rock and metal.

This is echoed by Paramore’s Hayley Williams. Paramore are right at the top of the rock tree at the moment. This summer they headline the Reading and Leeds Festivals, last year they released another critically acclaimed album and they are one of the most energetic, captivating and bloody brilliant live acts you will ever see. Not bad going is it? Especially for a band fronted by a girl. I mean, when you take the girl into account it’s even more amazing that they’ve been successful, right?

That was sarcasm by the way.

In an interview with Rolling Stone magazine last year, Williams had this to say:

“I remember playing North Star Bar [in Philadelphia] and this guy yelled “take off your shirt!” probably 10 times. It had happened a couple of times at this point but this guy was super aggressive about it. By the fifth or sixth time, I realized that I’m the one with the microphone. I’ve got power here. I don’t have to be quiet. Sometimes there’s strength in letting your actions speak for you, but in this moment I was like, “I don’t have to take this.” He said something again, I said something back and was just as consistent as he was, and then he stopped. But, by the end, I was just like, “I don’t like you. Get out,” and made some guy I knew get him out.

“I don’t think it’s all of the industry. It’s finding that voice within us and, for whatever reason, the climate right now feels a little more empowering. It’s like Sinead [O’Connor]’s letter talking about how men are going to make money off of us and all of the choices that we make. I do believe that. It’s always been that way and it’s time to start saying something. There’s enough women that are rad and have great points of view and great things to say who can start encouraging that in one another and the people who are coming to shows; instill something else in them that is not being told to them through society and magazine covers — tell them that having a voice and going against the grain is good.”

I love the attitude of this woman. This is an issue that needs to be talked about and women like Williams proving herself to be a role model and taking a stand will, I’m sure, make a huge difference for female musicians in the future. But what of the here and now?

For me, Paramore is a really interesting case study. Unless I’m missing something huge, they are not widely thought of as a ‘female fronted’ band. They are just a band. A really great band. Sure, their singer is a woman, but so what? Hayley Williams is one of the best vocalists in modern rock, her talent speaks for itself; I’d easily rate her among my top ten frontpeople in rock that I’ve ever seen perform. When I listen to Paramore, I don’t think ‘wow, this is a fine piece of female-fronted rock, I wonder if the singer is hot?’.  No. I think ‘wow, this band is great and this singer is awesome!’

So, if we can accept Paramore as just being a rock band, surely we can apply that across the board? Sadly, no. As we’ll discover later on, the further down the music industry ladder you go, the bigger a deal gender becomes.

However, there are still issues at the top of the rock and metal world right now that need to be dealt with if we are ever going to change the attitude towards women in rock and metal.

Look at the following bits of artwork for release by The Pretty Reckless and In This Moment, bands fronted by women singers.

inthismoment prettysexist

Aside from the obvious fact that this artwork yet again demeans and objectify women, putting them in a position where they are just there to look nice leaving the men of the genre to do the real stuff, for me as a music fan, these images are off-putting. These covers suggest, to me, that the music on them is not particularly good, and the only reason to buy them is to get the cheap thrill of slightly titillating artwork.

The saddest part of this is that there is absolutely no need for bands with women members to rely on a sexy photo to sell records – in fact, there’s no need for any rock or metal act to rely on sex to sell records. Don’t agree? I point you to Metallica’s Black Album, which has managed a mere 16million sales in the US alone. The cover? Erm, blackness…and a snake if you look close enough.

Nope, sexy photos are not necessary. Take Halestorm as an example. Here’s the cover of their most recent studio album.

halestorm

Amazingly, despite not showing singer Lzzy Hale (a woman in case you hadn’t guessed) in any state of undress they managed to make a fantastic album and are currently one of the hottest hard rock bands out there – isn’t that incredible??

Of course, when bands get to such a level – be they great bands such as Paramore or Halestorm or lesser ones like The Pretty Reckless and In This Moment – it is probably a lot easier for them to detach themselves from any abuse. But what about at grassroots level?

For any band with women members trying to ‘make it’ the abuse is a lot more in your face, quite literally in many cases.

Birmingham band Kerosene Queen know all about this problem. Despite being a hugely talented and exciting unsigned band, they have faced abuse on and off stage, all because three quarters of the band are women.

kerosenequeen

“We receive the wrong sort of attention because we are female and lack the right sort of attention because we are female,” says vocalist Charly, “I’ve had a long time to think about this over the years fronting bands etc, and basically that is what it all boils down to – ‘female fronted’ is a selling point (which doesn’t always attract the nicest people) and it segregates women from music. The knock on effect from this is that, as a whole, women aren’t taken as seriously in music and we are left feeling like we are not truly part of it all.

“Female fronted’ is so widely used in rock music that it doesn’t even cross people’s minds that the term may actually be offensive. In this case it does help to turn the situation around to understand how it may be offensive, so for instance, “Hey look, that is so and so’s band… the male fronted band”, “So and so is playing tonight, come on down it is a male fronted band”…

“Of course and I’m sure many will agree, doesn’t ‘male fronted’ sound silly? What does being male have to do with anything? So that is why I ask – why doesn’t ‘female fronted’ sound silly?

“I don’t see how my anatomy and basically my sex determines how my band is introduced. Why does ‘female fronted’ HAVE to go in front of the band name on posters and flyers? It just simply isn’t needed.”

Bassist Lexi adds “Yeah, I completely agree with Charly, to me the term ‘Female Fronted’ is like putting a spotlight on the situation like they’re saying “Come see this rare act because wow isn’t it cute they’re trying to do what we do!” or ‘Come to this show because you can look at them”, if it is for neither of those reason, I really don’t see the need to put that there is women in a band. The whole thing is patronising.”

Sexism is clearly an ongoing struggle for Kerosene Queen, who recognise that attitudes towards them are a symptom of a real gender imbalance in modern rock music.

Charly continues, “Of course I’ve tried to think WHY women are introduced as ‘female fronted, female members etc’, and this is because women are scarce in rock music compared to men, there are less women in music in general.

“When I attend gigs with live music, there are less women on stage and in the crowd, when I go to a shop and flick my eyes over the magazine section, the music magazines are generally put in the ‘men’s section’ – and so it feels that people believe women don’t have a place in music, which of course we do, it is just very hard to find the recognition, and due to the lack of recognition, the emphasis on us being ‘female’ continues and it will still continue because of people’s attitudes and the language chosen to describe us.

“I don’t want the fact that I am female to be a selling point for the band, I would much rather people listened and thought ‘I like this band, they have a cool sound’ etc, than just like us and turn up to gigs because I and the other members have vaginas and/or we’re ‘not too bad on the eye’.”

Sadly, Kerosene Queen’s battle with sexism doesn’t end in the mind boggling world of genre classification; at one recent show they were abused by male members of the audience as they played.

Charly explains, “The most recent unfortunate event we experienced as a band was an incident where a few men in the audience shouted ‘get your tits out’ at us in retaliation to a song I introduced as ‘a song dedicated to women in music.’

“I wrote the lyrics in this song to express my analysis of women’s situation in music as discussed previously, and its a song to uplift women in music with a message to stay strong and that we’re in it together. It is motivational if anything.

“Anyway – Of course after hearing this remark from the audience I immediately shouted ‘f*ck off’ at them – I was quite mortified these people were even allowed to stay in the venue after we played! It is not acceptable behaviour and I was highly offended and felt very disrespected – again – all because there are women in the band attracting attention for the wrong reasons.”

Pretty shocking isn’t it? Well it doesn’t end there for Kerosene Queen. As if being abused on stage wasn’t enough, the band also has to deal with unwanted attention off stage as well as being consistently patronised.

Charly continues, “The over-emphasis of “You were absolutely brilliant, I’m shocked” (because we’re women) can also be slightly annoying at times… its a bit of a backwards compliment that people don’t realise is an actual backwards compliment.

“I’ve also noticed in the past from having a few male musicians in the band that other male bands tend to make conversation with the guy and not us, the rest of the female members – it is as if they believe that we don’t know what they are talking about or the fact we aren’t seen to be on the same ‘level’ as them to make conversation. It is bullsh*t. It is still that embedded assumption that the male musician know more about music and equipment and indicates a prevailing male atmosphere.

“Besides this, in the past in previous bands I have encountered comments such as “why are you in here?” (referring to a band room at the back of a stage), “Is your boyfriend playing?” and “come back stage you will do.” (Three guesses to what the last comment means!)

“Also, I don’t even want to mention the unwanted attention I have received when I am off stage men coming in to the dressing room to ‘meet me,’ buy me drinks, follow me around – not for the right reasons either! I’ve accepted a few drinks from some men I’ve had a good chat with, (believing they are genuine and just want a good night out) and when they find out I have a boyfriend they get stroppy with me and words are exchanged.

“I’ve even said to one guy, ‘You don’t buy your mate a drink to get in his pants, so why do it with me? Why can’t you buy someone a drink and not expect anything?’

“It is exhausting sometimes.”

Lexi adds, “From previous bands I’ve been in in which I was the only woman, I noticed a lot of promoters, photographers etc would walk past me and straight to the guys to speak ‘business’ with them, despite having watched us just play, and they wouldn’t realise until I walked unto them that over emails etc I was the one they had been arranging everything with because it was MY band.

Despite being the front woman, a lot of people automatically thought it must be the guys that ran the band, not me.

“I do think there is a slight vibe when you go to new places you haven’t played before and you’re playing to people who have never heard you, as a mostly female band people seem to expect you to be ‘alright’ and that’s it, so as Charly said, when we play a great show & we’re sweating our asses off from effort & performance, people speak to us in shock (unfortunately) that we were actually really good.”

Thankfully, Kerosene Queen are not letting the sexist idiots win. Instead, they are doing what they do best; rocking! And with each gig played, song recorded or new fan won, they are getting somewhere…even if their gender makes progress slow.

Charly says, “It is slowly improving, but we aren’t there yet. People are influenced by society and politics and so this needs to change before the view of women changes, whether that is in music or out of music. Patriarchy will not defeat us.

“Thankfully we have a brilliant network of fellow bands and friends that feel the same way and it is a great feeling knowing we will be a part, whether big or small, in the progression of women in rock music.

“Cos’ we aren’t going anywhere in a hurry. We enjoy what we do.”

I have so much admiration for Kerosene Queen. They are a great young band with huge potential who not only have to face the endless amount of tough hurdles to climb for an upcoming act to succeed – playing gigs in small venues to literally a handful of people, finding the time and money to practice, record, travel and buy equipment, marketing your band in your spare time, trying to get media outlets to listen to you, etc – but they also have extra crap to deal with, all because of their sex.

I’m also part of an upcoming Birmingham band and I know how much effort goes into getting my music out there. But at least I know that, if I play a bad gig or write a song someone doesn’t like, I’m only likely to receive a bit of negative feedback. I’m never going to be called a slut, people will never assume I’m just there to sell merchandise and no-one is going to threaten to rape me. I know that people will judge me and my band on our music, which is all I want. But this isn’t the case for bands with women in their lineup. Why? Surely bands are bands? Why is it so difficult for people to accept that? After all, we’re all fans for the music, right?

I started this lengthy post asking whether heavy music is sexist and I think, sadly, there is plenty of evidence to suggest that my answer should be ‘yes’ – even if it is perpetuated by an idiotic minority who are spoiling it for the rest of us.

There are some very real problems in rock and metal that need to be dealt with (and frankly should no longer be an issue). The fact that women want to be, and are, in bands is not weird or surprising. Being in a band, even one that just plays small shows, is an absolute blast and if you’ve ever been in one, you’ll understand the attraction – regardless of your gender. They are not, or should not be, boys’ clubs. There is no genetic reason (as far as I’m aware) that would make men better at being rock musicians than women, so hearing a talented female musician should not be a shock. Good musicians are good musicians.

There is also no reason why a band of women/with women in its lineup should rely on sexualised, objectifying imagery to market themselves. Why not focus instead on making a really cool cover for your release? Think of some great album covers and tell me what’s sexy about them. Is it the giant pair of tits floating above the graveyard on Metallica’s Master of Puppets or the beam of white light being refracted by a hot ass in a thong on Pink Floyd’s Dark Side of the Moon? Of course not, because I’ve made those scenes up. They sound completely ridiculous, right? So why is it right that The Pretty Reckless needs an image of their singer naked with an arrow pointing at her arse to sell its latest record?

There is a really great list of things women in music are sick of experiencing over on Alt Press that I urge you to check out.

So, how to end this?

A plea. Let’s get over the fact that women, shock horror, can rock too. How about we forget ‘female- fronted’ this and galleries of the top ten chicks in metal that and instead just let bands be bands?

I listen to music for the music. I really don’t care who makes it – I once listened to a band with two dogs, as in the canine kind, as vocalists. If the music is loud and full of banging riffs then I will probably be interested. With this mindset, my shelves are full of brilliant albums by a host of brilliant bands and musicians. My ears are very much the winners. I urge you all to take the same approach.

On top of this, if you do experience or witness sexism in music I urge you to speak up and speak out. Follow the lead of Kerosene Queen, or contact groups such as the Everyday Sexism Project to share your experiences. Let’s take a stand and kick sexism out of rock and metal so we can keep that awesome community that is the heart of our scene.

And finally, if you want to wear a tshirt that will make an impact don’t go down the route of the pathetic Emmure and their idiotic peers; instead, get yourself something to show support for the No More Page 3 campaign and wear that. I wore one for my band’s first ever headline show last year and, as you can see, it was a blast!

Cheers and rock on!

dave

The ‘S’ Word

Why do we still struggle to get past ‘naming the problem’, and is it important that we do?

Picture the scene: friend A updates her Facebook status to describe a horrible (but sadly not uncommon) incident – a man blocks her path as she walks alone, and makes unwanted sexual comments to her. She feels angry and frustrated that this has just happened to her. She felt like she couldn’t shout back at the time. She expresses indignation that women have to put up with this sh*t, all the time.

Friend B expresses sympathy in the form of a #sadface, and tentatively suggests (or if I’m being honest, confidently asserts…) that this is everyday sexism.

Friend C comments, ‘can you really say that this happened to you because you’re a woman?’ ‘Things like this happen to men too you know’. ‘I wouldn’t call that sexism’.

Friend B chips in again, probably unnecessarily, because she can’t resist getting involved! And because she’s outraged that friend C is outraged at the use of the word sexism, and not what happened to friend A, which really is the only outrageous thing to have happened here.

A long debate over semantics ensues. It almost seems inevitable.

Friend C declares that we all just need to chill the f*ck out.

We all agree sexism happens to all genders, and that other forms of discrimination may be at play too.

But…. we agree to disagree that sexual harassment is a form of sexism.

This, to me, is only the start of the debate, and not a very good start at that! If we can’t even agree that sexual harassment is sexism, where does that leave us?

(Friend B, heck let’s call her Lizzy, isn’t quite over it, so writes a blog about it instead. Ahhh, cathartic.)

Can you solve any problem, when you can’t even agree on what to name the problem?

Discuss

Schools against Sexism (just don’t tweet about it, please)

I had the great pleasure of attending the UK Feminista Summer School at my beloved University of Birmingham this summer. It was a thought provoking and tiring weekend, and I learnt an awful lot. The speakers were a formidable and influential bunch, and, really, who doesn’t love a spot of feminist celebrity spotting?!

One session that has particularly stayed with me was the Generation F panel talk, where I heard from young feminists about, among other things, their experiences of sexism at school, and their exciting campaigns. We discussed the worsening problem of sexual harassment in schools. We discussed the inadequacies of sex and relationship education. We heard from teachers concerned about the way girls were being treated by boys in classrooms and corridors.  And we heard about the UK Feminista Schools Against Sexism Pledge. I was positive and fired up by the end of it.

Undeterred by the sexual harassment I and my friend encountered when walking across campus after leaving the summer school (doh!!), and high on UK Feminista-ism when I got home I tweeted to the head teacher of my old secondary school. I asked him if he would sign the Schools Against Sexism Pledge. The pledge commits head teachers to:

  • Support girls and women who are experiencing sexism and violence
  • Teach equality, consent and respect
  • Develop policy on gender equality and girls’ safety, and demonstrate this commitment publicly

Not altogether unreasonable, or controversial I’d say.

I mentioned – cathartic, #everydaysexism stylee – in the tweet that I had been sexually harassed and groped during my time at school. I’m not ashamed of this. And incidentally, I think you would be hard pressed to find many girls that haven’t experienced sexual harassment at school. 

I thought nothing much about not getting a reply. I didn’t particularly need or expect one. I get annoyed sometimes when people ask me to sign pledges and petitions.

But what I was not expecting was that my old head teacher would block me.  This is bad Twitter etiquette surely? 

When I queried this with the school I was rapidly sent a private message telling me that if I had a grievance about something that happened while I was there that I should contact the school, rather than tweet it. I had obviously spooked them. This was not my intention at all.

I didn’t have a ‘grievance’  I wished to bring against my school. But truth be told, I am pretty aggrieved now:

  • Talking about sexism in schools isn’t something they should shy away from. It won’t make them look bad admitting it goes on, and for publicly taking steps to address it.
  • Sexual harassment and groping isn’t something I shouldn’t tweet about (they really should check out @everydaysexism – tweeting about sexism changes the world folks!)
  • Telling someone not to tweet about something kind of makes them want to tweet about it even more… And blog about it too.

🙂 

 

 

On Project Guardian

Public transport. This subject has been on my mind a lot of late. Partly because I’ve just renewed my Young Person’s Railcard for the last *sob* time (yes, you can do this on the day before your 26th birthday, hurrah!). And partly because I’ve just come back from an epic round trip to the Midlands to see my friends to celebrate said birthday.

But mostly because the British Transport Police has joined forces with the Everyday Sexism Project to tackle sexual offences on public transport in London.

Project Guardian is great news, and is already having an impact, with reports of a 26% rise in victims coming forward.

Why we need #ProjGuardian in Birmingham, please

Barring a massive trainfail, forced proximity to a crotch was never particularly an issue for me in Birmingham, as it is in London. For me it was the men who deliberately target you when you are alone, or unable to shout out to anyone, who were the problem.

It was the man who sidled up to me at a deserted bus stop in broad day light and tried (and maybe succeeded- I don’t know) to take a photo up my skirt. It was the man that sat next to me on an empty bus and wouldn’t let me out unless I ‘gave him a smile.’ Most frighteningly it was the group of men who surrounded my best friend in the (now-to-be-avoided-at-all-costs) underpass that links two of the main stations in the city centre and assaulted her.

If you are reading, BTP, this is why we need Project Guardian in Birmingham too please.

David Cameron is the biggest tit in my newspaper.

Addendum

I felt the need to make an addendum to my blog of last Sunday.

In my post I tentatively suggested the tide was changing. I questioned whether The Sun would dare to mock Caroline Lucas in the way they had done Clare Short a few years ago.

The Sun, as far as I can tell, has stayed quiet on the subject.

But maybe I should have been more worried about how Caroline Lucas would be treated in the House of Commons, by some of her fellow Members of Parliament. And not just any old MPs. David Cameron. Our Prime Minister.

Image

http://www.bbc.co.uk/news/uk-politics-22972683 

After DC’s disdainful, patronising and mocking response to Caroline’s question on whether  he would join her in seeking to remove The Sun (while it contains images of topless women on page 3) from the parliamentary estate given the Government’s own research shows a link between sexual objectification of women in the media and the acceptance of harassment and violence against women in society…I have come to one conclusion:

David Cameron. You are the biggest tit in my newspaper.

On sexism in the media

If you think it’s OK to demand that a stranger shows you her breasts, you’ve probably been told from somewhere that you can get away with this. That this is normal.

Sexual objectification, I think, is the reduction of somebody’s worth and role in the world to that of an object for sexual pleasure. It can happen at a societal level, and it can happen between individuals. Here’s an example: It happens everyday in our national newspapers, like on page 3 of The Sun newspaper, where the largest image of a woman is that of a topless one, and it happened when a boy of about 17 or 18 shouted ‘GET YOUR TITS OUT’ at me from his friend’s car when I was out running.

Now, I wonder if these two are linked- either directly or indirectly… because as Caroline Lucas said in a speech in Westminster Hall last week:

“… none of that is happening in a vacuum. We have to recognise the impact of wider culture, and today I want to focus on just one aspect of that: the objectification of women in the media. Women have been degraded, belittled and served up as sex objects in some of our daily newspapers for many years, despite the United Nations Committee on the Elimination of Discrimination against Women repeatedly identifying the links between the portrayal of women as sexual objects and attitudes that underpin violence and discrimination against women and girls”

Of course, I can’t be sure that there is a direct causal link between The Sun’s page 3 and to the irritating street harassment I was unlucky enough to encounter on that particular day last month. But it strikes me that if you think it’s OK to demand that a stranger shows you her breasts, you’ve probably been told from somewhere that you can get away with this. That this is normal.

Caroline is right. These things aren’t happening in a vacuum. And The Sun’s page 3 is playing a small, but significant – and I think symbolic – role in telling people ‘it’s OK to treat women this way’.

I am hopeful that one day, in the not too distant future, the UK media will have been re- calibrated a bit. I look forward to the time where people think what used to be on page 3 was rather extreme, instead of now, where if you’re against page 3 you’re considered by some to hold extreme views.

I’m optimistic. I think we are making progress. Look at the appalling way Clare Short (former MP of the constituency I lived in in Birmingham) was treated by her fellow Members of Parliament and the media when she put forward the idea of legislating against the page 3 phenomenon in the British press. She was laughed at and bullied. The Sun superimposed her face onto the body of a topless model. They called her fat and jealous.

Last week Caroline Lucas wore a No More Page Three campaign t-shirt to the Media Sexism debate at Westminister Hall. I’ve no doubt she will have received all manner of offensive tweets/emails/letters afterwards, but I think the tide is changing.

carolinelucas(1)

Short1

Would The Sun dare to treat Caroline Lucas in this way now? I don’t think so. Do you?

21st Century Suffragettes

I enjoyed reading this Guardian piece –  Twenty-first century suffragettes: what would you fight for now?

Emily Davison

There are too many issues to choose from (many of them raised in this Guardian piece), but if I were a Suffragette today one of the things I would fight for is the right for girls and women to be able to walk to school, work, travel on public transport, and to go out with their friends without fear of being intimidated, sexually harassed, and assaulted.

This is a real problem and it isn’t trivial.

Just a couple examples from my own experience that have particularly stayed with me – in the last couple of years: a stranger has exposed himself to me in a club; a man has masturbated in the street in front of me; and a man has tried (and maybe succeeded, I don’t know) to take a photograph up my skirt while we were both waiting alone at a bus stop.

You only have to look at the daily accounts from girls and women on the Everydaysexism website  for proof that this is something worth fighting for.

Go away Kate Garraway*

Breaking news: a woman’s fertility diminishes with age. 

Luckily we have a new campaign fronted by Kate Garraway to tell us all about this.

But hang on, that’s not news at all, is it?

According to a Telegraph article “a survey by First Response Early Result Pregnancy, which has launched the campaign on fertility, found two fifths of women of child-bearing age (18 to 46) would delay having a baby to sort their finances out, and a third blame the lack of the right partner. Over a third say the cost of childcare puts them off having a baby or another child”

Are these not all valid and very responsible family planning considerations – for both women and men?

Maybe we could spend a little more time discussing better childcare provision and affordable housing options, and a little less time patronising women.

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*I have nothing against Kate Garraway per se. But if this was a public health awareness raising campaign aimed at highlighting the risks and difficulties associated with conceiving a child at a later age…  this…did we need this?

No. And this is why I think Kate Garraway should go away.

Oodles of sexism in Victoria Square

Oodles of sexism in Victoria Square

Last week some folk in Brum tweeted a photo of the Pot Noodle promotional campaign that popped up in Victoria Square (a prominent square in Birmingham that sits by the Council House, the Museum and Art Gallery, public Library and the Town Hall). I was very disappointed to see that such a blatantly sexist advertisement campaign was allowed to appear in Victoria Square – and tweeted to Birmingham City Council, who invited me to complain formally. Here is the photo: 

Nice huh?

One charming Twitter user took issue with me tweeting this image and describing it as an example of #everydaysexism. He told me my ‘crusade against objectification was idiotic’. I hadn’t until then realised I was on a ‘crusade against objectification’. But I suppose I am, and I am quite happy with that.

I thought I would share his complaints with you, as an amusing example of when anti-feminists totally, nay epically, fail at reductio ad absurdum.

me (to the politicsinbrum twitter account) : have you seen this example of #everydaysexism in #victoriasquare? [pic of potnoodle ad]

@unsubtletone: “If you are against the sexualisation of men and women, do you want reproduction in test tubes only?”

@unsubtletone: “Partners objectify each other before and during sex. They’re not thinking of intellect or personality. Ban it.”

*Headslap*